Eugénie Cartron

 About


Born in Paris’s banlieue in the 90s, I moved to different corners of France during my childhood, carrying around an urge to change things and tell a better story. I learned how to sew and make things with my hands from my mom, how to think holistically and explain ideas clearly through diagrams with my dad, then came back to Paris on my own to study Economics and finally understand the world.

I could explain the behavioural logic of risk aversion on the back of a napkin, or discuss why growth and the industrial revolution emerged in England and not anywhere else for hours, but I missed something ⏤ solving the problems I could now describe so well. I realised changing things, as I used to say, or innovation, as we call it now with sparkles in our eyes, is not a science but a practice.

It bridges disciplines, spanning all areas of science, combining their expertise in unprecedented manners to solve problems that require to see way beyond silos. The word practice here I cherish particularly, because it points out how much all that comes with making and experimenting rather than with a know-it-all attitude. And so I moved to the UK and went to Design school. The kind of school where there are “just Google-it” signs on professors’ doors, in case you expected not to experiment, learn your own lessons and develop your unique intuition of good design.

While the media landscape seemed to obsess over the exponential pace of 21st century innovation, the only thing I’ve ever really cared about is its direction. Public-minded and mission-driven at my heart, I’ve decided to carry on with an M.P.A., looking to turn purpose-driven organisations into innovation forces, addressing our grand societal challenges and driving systems change.

——

So, now, I am very good at dissecting complex socio-economic problems and examining the public policy puzzle, at constantly starting from scratch in new domains and working simultaneously with people from 6 different cultures, at sewing clothes thrice looking for the perfect fit, at scribbling dad-like diagrams on the back of napkins, at just Googling-it… I thrive in complexity, I see patterns, connect the dots. I am very good at dealing with disorientation and leading exploration… at doing systems innovation.

 
 
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Resume

 
 

Professional experience

 


NetZeroCities Lead
Dark Matter Labs
(current role)

Mission Design Consultant
Danish Design Centre

Systems Change Researcher
Cambridgeshire County Council

Innovation and Service Designer
NHS Scotland

Innovation and Environmental Designer
The Glasgow City Council

 

Education


M.P.A. Innovation, Public Policy and Public Purpose
University College London, UK

M.Des. Design Innovation and Environmental Design
The Glasgow School of Art, UK

M.Sc. Innovation Management
Paris-Dauphine University (PSL), France

B.Sc. International Economics and Development
Paris-Dauphine University (PSL), France

 

Awards


Adobe Digital Edge Award, Adobe UK
2021

Map the System Finalist, Oxford Saïd Business School
2021

Postgraduate study funding grant, Scottish Government
2018

 

 My approach

To lead transitions addressing the biggest challenges faced by our societies, an action-oriented, practical and holistic approach is needed. My skillset reflects this belief, providing me with a transdisciplinary perspective on the questions I work on.

 
 

DESIGN
PRACTICE


Collaborative design

Environmental design

Facilitation, process design

Creative problem-solving

POLITICAL
ECONOMY


Mission-oriented innovation

Governance innovation

Policy innovation

Public service transformation

SYSTEMS
CHANGE


Systems thinking coaching

Systems mapping & model building

Stakeholders engagement

Ecosystem management

STRATEGIC
THINKING


Programme management

Strategic Planning

Organisational change

Business transformation

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On the side

I am a maker at heart, a craftsperson despite my long academic journey. My hands get dirty often. I care about making ideas real much more than I care about telling others how things should be done.

For over 10 years now, I have developed my Fashion Design practice.

I don’t ever produce the same thing twice. I create unique, tailor-made fashion pieces that enhance individual personality and style. Covering pattern design and making, fabric selection, garment construction and fitting, I design wardrobe pieces whose style is as unique and enduring as the individuals who wear them, tailoring trends to personality and identity so clothing items are used much longer.

To me, this is an experiment in slowing down consumption patterns, an exploration in imagining what a sustainable fashion industry that doesn’t compromise its identity affirmation role or creative value looks like.